Tres Piezas para Oídos Distintos
Format: EP
First Release: April 2002
Label: Casa-Ray
Composed: Summer of 2000 and March 2002 (track #1); December 2000 and February 2002 (track #2); March 2000 (track #3)
Recorded: March 2002 (track #1); February 2002 (track #2); March 2000 (track #3)
Instruments: Piano
# Tracks: 3 Length: 31:13
Tracklist
01 | Jazz en Clave Mínimo-Andalusí | 6:09 ![]() |
02 | Raymond Blue | 6:33 ![]() |
03 | Música para 18 Pasos y 2 Pianos Desfasados | 18:31 ![]() |
Previews
- Jazz en Clave Mínimo-Andalusí (excerpt) 0:39
- Raymond Blue (excerpt) 0:45
- Música para 18 Pasos y 2 Pianos Desfasados (excerpt) 0:58
Details
First release in April 2002.
This EP features three piano recordings exploring very different styles: jazz-fusion (track #1), romanticism (track #2) and minimalism (track #3).
The track #1, written in 2002 and recorded live in the studio, is an experimental-fusion piece where I try to bring together a collage of four musical styles: jazz, minimalism, flamenco and “sporadic music” (see the «Ensayos sobre Música Esporádica» EP to know more about my old style of composition called “sporadic music”).
«Raymond Blue», the track #2, is a romantic-style piece built from different improvisations recorded during the last days of December 2000. As a curiosity, a brief fragment of one of the passages is directly connected (as a tribute) to «The Fosse», piece for piano and voice written by Wim Mertens for his 1985 album «Maximizing The Audience». «Raymond Blue» was my «Romantic Poem No. 3».
Finally, the track #3 -written in March of 2000- is dedicated to the minimalist composer Steve Reich. Written for two pianos, the entire piece is built from a single musical motif made of complex chords along 18 steps of one only bar. Within a hyper-organized and rigid structure, this motif always appears in four forms (slow, fast, retrograde-slow, and retrograde-fast), with a piano playing an octave above the other. Both pianos go simultaneously through accelerations and decelerations by steps, following a strict timing routine, until they eventually return to the starting point of the long motif. This collapse creates unimaginable things! 🙂
Artwork and sleeve design by José Travieso.
This EP was remastered in 2008.
You can download and get this EP on Bandcamp.


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